"Old American Songs: VI. The Little Horses" by Aaron Copland, Michael Tilson Thomas, Mormon Tabernacle Choir, Utah Symphony Orchestra was released on June 23, 1987. The duration of Old American Songs: VI. The Little Horses is about 3 minutes long, at 3:13. Based on our data, "Old American Songs: VI. The Little Horses" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 15 in Copland: Old American Songs, Canticle of Freedom & 4 Motets by Aaron Copland, Michael Tilson Thomas. Based on our statistics, Old American Songs: VI. The Little Horses's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Old American Songs: VI. The Little Horses by Aaron Copland, Michael Tilson Thomas, Mormon Tabernacle Choir, Utah Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 75 BPM | ||
The Tender Land (Opera in Three Acts): Act 1: Moderately fast | Aaron Copland, Claramae Turner, Richard Cassilly, Richard Fredericks, Norman Treigle, Joy Clements, Choral Art Society, New York Philharmonic | F Minor | 1 | 4A | 91 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Introduction | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM |
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