"Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIb. Final Scene from Faust. Waldung, sie schwankt heran (Live)" by Gustav Mahler, Utah Symphony Orchestra, Mormon Tabernacle Choir, The Madeleine Choir School Choristers, Orla Boylan, Celena Shafer, Amy Owens, Charlotte Helekant, Tamara Mumford, Barry Banks, Markus Werba, Jordan Bisch, Thierry Fischer was released on November 17, 2017. With this song being about 5 minutes long, at 5:14, "Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIb. Final Scene from Faust. Waldung, sie schwankt heran (Live)" by Gustav Mahler, Utah Symphony Orchestra, Mormon Tabernacle Choir, The Madeleine Choir School Choristers, Orla Boylan, Celena Shafer, Amy Owens, Charlotte Helekant, Tamara Mumford, Barry Banks, Markus Werba, Jordan Bisch, Thierry Fischer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Utah Symphony Orchestra, Thierry Fischer, The Tabernacle Choir at Temple Square, The Madeleine Choir School Choristers's "Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Live)" album is number 2 out of 14. Based on our statistics, Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIb. Final Scene from Faust. Waldung, sie schwankt heran (Live)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E-Flat Major "Symphony of a Thousand": IIb. Final Scene from Faust. Waldung, sie schwankt heran (Live) by Gustav Mahler, Utah Symphony Orchestra, Mormon Tabernacle Choir, The Madeleine Choir School Choristers, Orla Boylan, Celena Shafer, Amy Owens, Charlotte Helekant, Tamara Mumford, Barry Banks, Markus Werba, Jordan Bisch, Thierry Fischer to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia | Pyotr Ilyich Tchaikovsky, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 174 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Nocturne No.13 In C Minor, Op.48 No.1 | Frédéric Chopin, Maurizio Pollini | C Minor | 1 | 5A | 169 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM |
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