"La Noche de los Mayas: 1. Noche de los Mayas (Molto sostenuto)" by Silvestre Revueltas, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel was released on January 1, 2010. Since La Noche de los Mayas: 1. Noche de los Mayas (Molto sostenuto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in "Rite" - Stravinsky: Le Sacre du printemps; Revueltas: La noche de los mayas, so we believe that "La Noche de los Mayas: 1. Noche de los Mayas (Molto sostenuto)" is a single. La Noche de los Mayas: 1. Noche de los Mayas (Molto sostenuto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Noche de los Mayas: 1. Noche de los Mayas (Molto sostenuto) by Silvestre Revueltas, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 2 | 9A | 83 BPM | ||
The Planets, Op. 32: 2. Venus, The Bringer Of Peace | Gustav Holst, Chicago Symphony Orchestra, James Levine | A♭ Major | 0 | 4B | 71 BPM | ||
The Sea: No. 2 Sea-foam | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E♭ Major | 1 | 5B | 71 BPM | ||
Danzas fantásticas, Op. 22: II. Ensueño | Joaquín Turina, Juanjo Mena, BBC Philharmonic | G Major | 0 | 9B | 79 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Danzón Cubano | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 2 | 8B | 85 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Bassoon Concerto: III. Rondo | Gioachino Rossini, Jaakko Luoma, Tapiola Sinfonietta | B♭ Minor | 2 | 3A | 172 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM |
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