"The Sea: No. 2 Sea-foam" by Frank Bridge, New Zealand Symphony Orchestra, James Judd was released on August 1, 2004. The duration of The Sea: No. 2 Sea-foam is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Sea: No. 2 Sea-foam's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 8 in Bridge: The Sea, Enter Spring & Summer by Frank Bridge, New Zealand Symphony Orchestra, James Judd. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The Sea: No. 2 Sea-foam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Sea: No. 2 Sea-foam by Frank Bridge, New Zealand Symphony Orchestra, James Judd is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Riccardo Muti, Philadelphia Orchestra | D Major | 1 | 10B | 123 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM | ||
Jeux D'enfants (Children Games): III. Impromptu | New Zealand Symphony Orchestra, Georges Bizet | F Major | 0 | 7B | 79 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Rodeo: No. 2, Corral Nocturne | Aaron Copland, Colorado Symphony, Andrew Litton | C Major | 0 | 8B | 129 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | E Major | 0 | 12B | 80 BPM | ||
Sorochinsky Fair: Gopak | David Measham, West Australian Symphony Orchestra | G Major | 2 | 9B | 116 BPM | ||
Romance in F for Violin & Orchestra, Op. 11, B.38 | Antonín Dvořák, Jan Mrácek, Czech National Symphony Orchestra, James Judd | D♭ Major | 1 | 3B | 103 BPM |
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