Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's 'The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons' came out on September 14, 2018. With The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko's "Glazunov: The Seasons, Op. 67 - Tchaikovsky: Serenade for Strings, Op. 48" album is number 12 out of 21. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Seasons, Op. 67, Pt. 4 "L'automne": No. 14a, Grande bacchanale des saisons - No. 14b, Entrée des saisons by Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Symphony No. 3: I. 1. Allegro moderato, maestoso | Aram Khachaturian, Robert Schumann Philharmonie, Frank Beermann | C Major | 3 | 8B | 93 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Variaciones Concertantes, Op. 23: IV. Variazione in modo di scherzo per clarinetto | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | E Minor | 1 | 9A | 100 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Bilder einer Ausstellung (Orch. M. Ravel): Promenade I | Modest Mussorgsky, Tonkünstler-Orchester, Jun Markl | D Major | 2 | 10B | 109 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |
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