"Otello: Credo in un Dio crudel (Recorded 1911)" by Giuseppe Verdi, Pasquale Amato, Walter B. Rogers was released on January 1, 1999. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Pasquale Amato (Recorded 1911 - 1914)". In this album, this song's track order is #3. Otello: Credo in un Dio crudel (Recorded 1911) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Otello: Credo in un Dio crudel (Recorded 1911) by Giuseppe Verdi, Pasquale Amato, Walter B. Rogers having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
La Gioconda, Op. 9: Cielo e mar! | Amilcare Ponchielli, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 0 | 9A | 79 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | ||
Rigoletto, Act III: Duca! Duca! | Giuseppe Verdi, Matteo Guagni, Virginio Carbonari, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 119 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Von der Freude Blumenkränzen [Sempre Libera] (Violetta, Alfred) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | D♭ Major | 2 | 3B | 83 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Rigoletto: Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Daniela Lojarro, Gisella Pasino, Giuseppe Sabbatini, Marco Chingari, Berlin Radio Symphony Orchestra, Roberto Paternostro | E Major | 0 | 12B | 171 BPM |
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