"Napoli: Act I: The merry mood returns" by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of Napoli: Act I: The merry mood returns is about 3 minutes long, at 3:20. Based on our data, "Napoli: Act I: The merry mood returns" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Napoli: Act I: The merry mood returns's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Napoli: Act I: The merry mood returns by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, BBC Concert Orchestra, Barry Wordsworth | C Minor | 0 | 5A | 96 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 1 | 9B | 83 BPM | ||
Italian Polka | Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift | F Minor | 7 | 4A | 154 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM |
Section: 0.6327071189880371
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