Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti's 'Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt' came out on May 29, 2020. The duration of Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Elgar: Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major (Excerpt) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pomp and Circumstance Marches, Op. 39: No. 1: March in D Major - Excerpt by Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia, Suite: 3. Pizzicati | Léo Delibes, Gothenburg Symphony Orchestra, Neeme Järvi | C Minor | 1 | 5A | 142 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Kinder-Symphonie ("Berchtoldsgadener") C Major | Leopold Mozart, Kremerata Baltica, Gidon Kremer | C Major | 2 | 8B | 136 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Trumpet Voluntary | London Concert Orchestra | D Major | 2 | 10B | 101 BPM | ||
Elgar: Pomp and Circumstance March No. 1 in D Major (Land of Hope and Glory) | Edward Elgar, London Philharmonic Orchestra, Andrew Davis | D Major | 5 | 10B | 119 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Bizet: Carmen Suite No. 1: III. Intermezzo (Andantino quasi allegretto) | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM |
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