On September 24, 2014, the song "Italian Polka" was released by Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift. The duration of Italian Polka is about 3 minutes long, at 3:09. Based on our data, "Italian Polka" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivere by Philharmonic Wind Orchestra, Marc Reift. The song's track number on the album is #4 out of 17 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Based on our statistics, Italian Polka's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Italian Polka by Sergei Rachmaninoff, Jan Valta, Philharmonic Wind Orchestra, Marc Reift has a tempo of 154 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Italian Polka being at 154 BPM, the half-time would be 77 BPM with a double-time of 308 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Espana, Waltz, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | F Major | 4 | 7B | 118 BPM | ||
Carmen Suite No. 2: 4. La garde montante | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 1 | 7A | 124 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Schön Rosmarin | Fritz Kreisler, Ray Chen, Julien Quentin | G Major | 2 | 9B | 104 BPM | ||
Farinelli (Lascia Ch'io Pianga) | Williams Fairey Band, Marc Reift, Brass Band Berner Oberland, James Gourlay | E♭ Major | 3 | 5B | 110 BPM | ||
Norwegian Peasant Dances, Op. 72 | Edvard Grieg, Isabel Mourao | D Major | 1 | 10B | 95 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM |
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