"Mystery (Rosary) Sonata No. 1, "The Annunciation": II. Aria allegro - Variations - III. Finale" by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia was released on March 4, 2014. The duration of Mystery (Rosary) Sonata No. 1, "The Annunciation": II. Aria allegro - Variations - III. Finale is about 3 minutes long, at 3:27. Based on our data, "Mystery (Rosary) Sonata No. 1, "The Annunciation": II. Aria allegro - Variations - III. Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. In terms of popularity, Mystery (Rosary) Sonata No. 1, "The Annunciation": II. Aria allegro - Variations - III. Finale is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 1, "The Annunciation": II. Aria allegro - Variations - III. Finale by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double | Johann Sebastian Bach, Dorothee Oberlinger, Edin Karamazov | B Minor | 1 | 10A | 128 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Monteverdi: Madrigals, Book 8: Ballo, SV 154b | Claudio Monteverdi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 127 BPM | ||
Concerto For Harp In B-Flat Major: I. Andante Allegro | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 94 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano) | Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique | B Major | 0 | 1B | 64 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 0 | 8B | 120 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM |
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