- BPM
- 89
- Key
- E♭ Major
- Camelot
- 5B
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio - Max Bruch, Boris Belkin, Junichi Hirokami, Royal Philharmonic Orchestra Information
- Acousticness
- 86%
- Danceability
- 15%
- Energy
- 15%
- Instrumentalness
- 62%
- Liveness
- 35%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -20.285 dB
Summary
"Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio" by Max Bruch, Boris Belkin, Junichi Hirokami, Royal Philharmonic Orchestra was released on January 1, 2009. Since Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "The Ultimate Most Relaxing Music for Strings In the Universe". In this album, this song's track order is #9. Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio BPM
With Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Boris Belkin, Junichi Hirokami, Royal Philharmonic Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | |
 | Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | |
 | Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | |
 | Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM | |
 | Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | |
 | Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | |
 | Bruch: Ave Maria, Op. 61 | Max Bruch, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | A Minor | 1 | 8A | 89 BPM | |
 | Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | |
 | Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7546484470367432
End: 0.758087158203125