"La Bohème - O Mimi tu più non torni" by Luciano Pavarotti was released on July 28, 2008. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Puccini-Arien". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, La Bohème - O Mimi tu più non torni's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème - O Mimi tu più non torni by Luciano Pavarotti having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto - Un Dì, Se Ben Remmentomi | Adriana Lazzarini, Luciano Pavarotti | E Major | 3 | 12B | 131 BPM | ||
Andrea Chénier / Act 3: "La mamma morta" | Umberto Giordano, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | B Minor | 1 | 10A | 169 BPM | ||
Don Giovanni / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sheryl Crow, Orchestra filarmonica di Torino, Marco Armiliato | A Major | 3 | 11B | 85 BPM | ||
Bizet: Carmen: Sur la place chacun passe - Act One | Georges Bizet, Covent Garden Chorus, Thomas Allan, Kiri Te Kanawa | F Major | 2 | 7B | 86 BPM | ||
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
Mamma (Arr. Mancini) | Cesare Andrea Bixio, Luciano Pavarotti, Henry Mancini | G Major | 3 | 9B | 122 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | G Major | 3 | 9B | 80 BPM | ||
Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | ||
Live Like Horses - Studio Version | Elton John, Luciano Pavarotti | G Major | 2 | 9B | 134 BPM |
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