Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" - Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész Information

Acousticness: 98%
Danceability: 52%
Energy: 29%
Instrumentalness: 0%
Liveness: 32%
Loudness: 78%
Speechiness: 4%
Valence: 37%
Popularity: 10%
Loudness: -12.952 dB

Summary

Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész's 'Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja"' came out on January 1, 2005. The duration of Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Lucia Popp, Brigitte Fassbaender, Werner Krenn, Tom Krause, Manfred Jungwirth, Vienna Haydn Orchestra, István Kertész's "Mozart Opera Festival" album is number 10 out of 19. Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" BPM

We consider the tempo marking of Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" by Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" Key

The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	129 BPM
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2g. Gloria: Jesu Christe	Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	C Major	2	8B	73 BPM
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording	Frédéric Chopin, Maurizio Pollini	D♭ Major	0	3B	56 BPM
Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse)	Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	3	11B	92 BPM
Album Leaf for Kateřina Kolářová in B Major, JB 1:20	Bedřich Smetana, Jitka Čechová	B Major	0	1B	70 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai	Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth	F♯ Minor	2	11A	156 BPM
Wiegenlied, Op. 49, No. 4	Johannes Brahms, Leonidas Kavakos, Yuja Wang	E♭ Major	0	5B	74 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846	Daniel Barenboim	C Major	0	8B	95 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	F Major	0	7B	86 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8443856239318848

End: 0.8481862545013428