Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) - Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra Information

Acousticness: 94%
Danceability: 8%
Energy: 5%
Instrumentalness: 88%
Liveness: 7%
Loudness: 57%
Speechiness: 4%
Valence: 3%
Popularity: 11%
Loudness: -25.551 dB

Summary

"Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version)" by Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra was released on 1994. Since Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Rachmaninov: Orchestral Works". In this album, this song's track order is #7. Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) BPM

With Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) by Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
À Chloris (Arr. for Cello and Orchestra)	Reynaldo Hahn, Sol Gabetta, Charles Olivieri-Munroe	E Major	0	12B	75 BPM
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra	G Major	0	9B	62 BPM
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt)	Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons	B Minor	1	10A	79 BPM
The Bells, Op. 35: 2. Lento (Golden Bells)	Sergei Rachmaninoff, Natalia Troitskaya, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy	B Minor	2	10A	132 BPM
Liebesleid (Love's Sorrow)	Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen	A Major	2	11B	98 BPM
Grieg: Lyric Suite, Op. 54: II. Norwegian March	Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen	G Major	1	9B	134 BPM
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt)	Franz Liszt, Péter Nagy	D Major	0	10B	137 BPM
Two Lyric Pieces Op. 68: II. At The Cradle: Allegretto con moto	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	D Major	0	10B	77 BPM
Rossini: Il barbiere di Siviglia: Overture	Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra	G Major	1	9B	88 BPM
Pelléas et Mélisande, Op. 80: III. Sicilienne	Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra	G Minor	0	6A	74 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6975231170654297

End: 0.7019848823547363