- BPM
- 132
- Key
- B Minor
- Camelot
- 10A
The Bells, Op. 35: 2. Lento (Golden Bells) - Sergei Rachmaninoff, Natalia Troitskaya, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy Information
- Acousticness
- 94%
- Danceability
- 27%
- Energy
- 16%
- Instrumentalness
- 62%
- Liveness
- 34%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 1%
- Loudness
- -22.608 dB
Summary
"The Bells, Op. 35: 2. Lento (Golden Bells)" by Sergei Rachmaninoff, Natalia Troitskaya, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy was released on August 1, 1986. The Bells, Op. 35: 2. Lento (Golden Bells) appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rachmaninov: The Bells; Three Russian Songs". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Bells, Op. 35: 2. Lento (Golden Bells)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Bells, Op. 35: 2. Lento (Golden Bells) BPM
With The Bells, Op. 35: 2. Lento (Golden Bells) by Sergei Rachmaninoff, Natalia Troitskaya, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The Bells, Op. 35: 2. Lento (Golden Bells) Key
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | |
 | Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | |
 | Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | |
 | Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | |
 | Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | |
 | Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | |
 | Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 108 BPM |
- ISRC
- GBF078410382
- Label
- L-M Records/RCA Records
Section: 0.5553278923034668
End: 0.5598211288452148