"Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt)" by Franz Liszt, Péter Nagy was released on March 7, 1988. Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Romantic Piano Favourites, Vol. 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) by Franz Liszt, Péter Nagy having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Salut d'amour | Edward Elgar, Kyung Wha Chung, Kevin Kenner | E Major | 1 | 12B | 79 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Sonata No. 8 para piano in C Minor, Op. 13 " Sonata pathétique " : II. Adagio cantabile | Wolf Rottmann | A♭ Major | 0 | 4B | 173 BPM | ||
18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM |
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