Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov's ' "Don Quixote: Act III: Amour" was released on its scheduled release date, February 24, 2004. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Don Quixote: Act III: Amour's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 20 out of 59. Based on our statistics, Don Quixote: Act III: Amour's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Don Quixote: Act III: Amour by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lady and the Fool - Suite: VI. Pas de deux | Giuseppe Verdi, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 0 | 7B | 81 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | G Major | 2 | 9B | 166 BPM | ||
Coppélia : Act III, No.20 Féte de la cloche - Divertissement 8a) Male variation | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B Major | 2 | 1B | 83 BPM | ||
Les Patineurs Valse (The Skater's Waltz), Op. 183 | London Philharmonic Orchestra | A Major | 1 | 11B | 105 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F Major | 1 | 7B | 167 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Rossini: The Thieving Magpie: Overture | Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra | E Major | 3 | 12B | 177 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 118 BPM |