- BPM
- 166
- Key
- G Major
- Camelot
- 9B
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto - Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov Information
- Acousticness
- 93%
- Danceability
- 38%
- Energy
- 24%
- Instrumentalness
- 95%
- Liveness
- 9%
- Loudness
- 77%
- Speechiness
- 3%
- Valence
- 49%
- Popularity
- 15%
- Loudness
- -13.573 dB
Summary
Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov's ' "Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto" was released on its scheduled release date, January 1, 2002. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 26 in Ballet Music - Burgmuller, Tchaikovsky, Minkus, Paulli, Hertel, & Asafiev by Boris Spassov. The popularity of Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto BPM
The tempo marking of Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto by Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Allegretto Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schwanensee, Op. 20: Act III: Adagio | Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | |
 | Carnival of the Animals: No. 12: Fossils | Camille Saint-Saëns, Stanislav Gorkovenko, St. Petersburg Radio & TV Symphony Orchestra | C Major | 3 | 8B | 94 BPM | |
 | Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | |
 | Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 0 | 3B | 60 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | |
 | Etudes: XIII. Tarantel | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 179 BPM | |
 | Ballet Suite No. 3: II. Gavotte | Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester | C Major | 1 | 8B | 152 BPM | |
 | The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | |
 | M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records