Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester's ' "Ballet Suite No. 3: II. Gavotte" was released on its scheduled release date, March 3, 1997. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Ballet Suite No. 3: II. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Shostakovich: Jazz Suites". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Ballet Suite No. 3: II. Gavotte's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ballet Suite No. 3: II. Gavotte by Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Forelle (The Trout) | Franz Schubert, Hellen Kwon | E Major | 0 | 12B | 125 BPM | ||
Kinderszenen, Op. 15: I. Von fremden Landern und Menschen | Robert Schumann, Martin Stadtfeld | A Major | 1 | 11B | 116 BPM | ||
Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
8 Slavonic Dances, Op. 46: No. 8 in G minor (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | G Major | 1 | 9B | 135 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
William Tell: Overture: Galop | Ola Rudner, Tasmanian Symphony Orchestra | E Major | 6 | 12B | 81 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): II. Moderato con moto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 125 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
The Waltzing Cat | Leroy Anderson, Eastman Rochester Pops Orchestra, Frederick Fennell | G Major | 2 | 9B | 118 BPM |