Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester made "Ballet Suite No. 3: II. Gavotte" available on March 3, 1997. The duration of Ballet Suite No. 3: II. Gavotte is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Ballet Suite No. 3: II. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Shostakovich: Jazz Suites". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Ballet Suite No. 3: II. Gavotte's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Ballet Suite No. 3: II. Gavotte by Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Großstädtisch, Op. 438 - Live | Carl Michael Ziehrer, Patrick Hahn, Munich Radio Orchestra | G Major | 5 | 9B | 87 BPM | ||
Quadrille ohne Titel, Op. 248 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 2 | 6B | 87 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
Les Sylphides (orch. R. Douglas): III. Waltz (Op. 70, No. 1) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | D Major | 1 | 10B | 49 BPM | ||
Paquita: Variation 2: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 182 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
"Hamlet" - music from the film: In the Garden | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
Act I: Coda (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 160 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): III. Moderato: Women's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 101 BPM | ||
Die Sirene, Polka Mazur, Op. 248 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 0 | 10B | 114 BPM |
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