Ola Rudner, Tasmanian Symphony Orchestra made "William Tell: Overture: Galop" available on 2009. The duration of William Tell: Overture: Galop is about 3 minutes long, at 3:12. Based on our data, "William Tell: Overture: Galop" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "My First Orchestra Album" album is number 1 out of 22. William Tell: Overture: Galop is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of William Tell: Overture: Galop by Ola Rudner, Tasmanian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
CARMEN: MARCH OF THE TOREADORS (Bizet) | 101 Strings Orchestra | A Major | 5 | 11B | 116 BPM | ||
Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
Gaite Parisienne (after J. Offenbach): Ouverture | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 2 | 10B | 123 BPM | ||
Sperl-galopp, Op. 42 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 3 | 12B | 137 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
The Birds, P. 154: 1. Prelude | Ottorino Respighi, San Francisco Symphony, Edo de Waart | A Major | 1 | 11B | 142 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM |
Section: 0.7906827926635742
End: 0.7941606044769287