"The Birds, P. 154: 1. Prelude" by Ottorino Respighi, San Francisco Symphony, Edo de Waart was released on February 22, 1983. The duration of The Birds, P. 154: 1. Prelude is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. The Birds, P. 154: 1. Prelude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Respighi: The Pines of Rome; The Birds; The Fountains of Rome". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, The Birds, P. 154: 1. Prelude's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Birds, P. 154: 1. Prelude by Ottorino Respighi, San Francisco Symphony, Edo de Waart having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
The Ecstasy Of Gold - Live | Metallica, San Francisco Symphony | A Minor | 6 | 8A | 68 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | F Major | 0 | 7B | 88 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 89 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Der Ring: From "Die Walküre": Die Walküren | Edo de Waart | E♭ Major | 2 | 5B | 128 BPM |
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