Slovak Sinfonietta, Zilina, Johann Strauss I made "Sperl-galopp, Op. 42" available on October 29, 2003. The duration of Sperl-galopp, Op. 42 is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Sperl-galopp, Op. 42's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Slovak Sinfonietta, Zilina's "Johann Strauss I: Edition - Vol. 3" album is number 14 out of 15. Based on our statistics, Sperl-galopp, Op. 42's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sperl-galopp, Op. 42 by Slovak Sinfonietta, Zilina, Johann Strauss I to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | ||
Hietzinger Reunion, Op. 24: Hietzinger Reunion (Waltz), Op. 24 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM | ||
Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
Giselle: Act II: Allegro moderato: Coda | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 134 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM |
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