"Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball" by Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Prokofiev: Cinderella (Complete Ballet)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cinderella, Op. 87: Act I: No. 19. Cinderella's Departure for the Ball by Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite (1919 Version): Finale - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
The Firebird Suite (1919 Version): Infernal Dance of King Kashchei - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Minor | 5 | 9A | 83 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM |