Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester's 'Aufstieg und Fall der Stadt Mahagonny: Jetzt hab' ich gegessen zwei Kälber' had a release date set for 1958. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 38 in the song's album "Rise and Fall of the City of Mahagonny". In this album, this song's track order is #2. In terms of popularity, Aufstieg und Fall der Stadt Mahagonny: Jetzt hab' ich gegessen zwei Kälber is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aufstieg und Fall der Stadt Mahagonny: Jetzt hab' ich gegessen zwei Kälber by Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | F♯ Major | 1 | 2B | 68 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 87 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 112 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Teodor Currentzis, musicAeterna | A Major | 6 | 11B | 136 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Klaus Billing | E Minor | 0 | 9A | 74 BPM | ||
Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
Die Dreigroschenoper: Seeräuberjenny | Kurt Weill, René Kollo, Ute Lemper, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 78 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM |