"Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly")" by Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg had its release date on 1958. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #10 out of 26 tracks. In terms of popularity, Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") by Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doppelpunkt Krebs | Wolfgang Neuss | E♭ Minor | 8 | 2A | 98 BPM | ||
Tanzen möcht' ich | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Major | 2 | 8B | 95 BPM | ||
Die Dreigroschenoper: Akt II, Das Eifersuchtsduett ("Komm heraus, du Schönheit von Soho!") | Kurt Weill, Wolfgang Neuss, Johanna von Koczian, Inge Wolffberg, Wilhelm Brückner-Rüggeberg | C Major | 2 | 8B | 119 BPM | ||
Die Wanderniere | Georg Kreisler | B♭ Major | 7 | 6B | 128 BPM | ||
Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") | Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 76 BPM | ||
Ach, wie ist's möglich dann | Comedian Harmonists | E♭ Major | 1 | 5B | 117 BPM | ||
Ein Lied geht um die Welt | Comedian Harmonists | E♭ Major | 2 | 5B | 109 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 6: No. 15, Chor, "Was gleicht wohl auf Erden dem Jägervergnügen" (Die Jäger) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | B♭ Major | 0 | 6B | 72 BPM | ||
String Quartet In D Major, Op. 18 No. 3 - Ii. Andante Con Moto | Végh Quartet, Ilse Werner | C Minor | 3 | 5A | 83 BPM | ||
Kanonensong (1.Akt) (In der Erinnerung an ihre gem | Bertolt Brecht, Kurt Weill | D♭ Minor | 3 | 12A | 100 BPM |