Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester's 'Tanzen möcht' ich' came out on April 10, 2008. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Angelika Kirchschlager, Alfred Eschwe's "My Heart Alone" album is number 3 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Tanzen möcht' ich is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tanzen möcht' ich by Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Einleitung - Höre ich Zigeunergeigen | Emmerich Kálmán, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 91 BPM | ||
'T was Not the Wind | Nikolai Rimsky-Korsakov, Anna Netrebko | F Major | 1 | 7B | 81 BPM | ||
I Puritani / Act 1: A te, o cara | Vincenzo Bellini, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 86 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Ombra mai fu (from Xerxes) | Kathleen Ferrier, London Symphony Orchestra, Sir Malcolm Sargent | D Major | 1 | 10B | 71 BPM | ||
Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Ich Edwin Ronald (Edwin) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | F Major | 3 | 7B | 81 BPM | ||
Zar und Zimmermann: Holzschutanz | Munchener Rundfunkorchester, Heinz Wallberg | E♭ Major | 1 | 5B | 87 BPM | ||
5 Mystical Songs (version for voice and keyboard): The call | Ralph Vaughan Williams, Simon Keenlyside, Graham Johnson | C Major | 1 | 8B | 88 BPM |
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