Bertolt Brecht, Kurt Weill made "Kanonensong (1.Akt) (In der Erinnerung an ihre gem" available on September 26, 2014. The duration of Kanonensong (1.Akt) (In der Erinnerung an ihre gem is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Kanonensong (1.Akt) (In der Erinnerung an ihre gem's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 26 in Die Dreigroschenoper/The Three Penny Opera by Kurt Weill, Bertolt Brecht. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Kanonensong (1.Akt) (In der Erinnerung an ihre gem is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Kanonensong (1.Akt) (In der Erinnerung an ihre gem by Bertolt Brecht, Kurt Weill is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Befragung eines Kriegsdienstverweigerers | Franz Josef Degenhardt | D Major | 2 | 10B | 93 BPM | ||
Ich brauch' kein Venedig | Hildegard Knef | G Major | 5 | 9B | 114 BPM | ||
Die ballade vom forster und der schonen grafin | Bertolt Brecht | C Minor | 1 | 5A | 119 BPM | ||
Tradition (Anatevka) | Yossi Yadin, Ensemble des Theaters an der Wien | C Major | 3 | 8B | 154 BPM | ||
Surabaya Johnny | Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera | B♭ Minor | 5 | 3A | 115 BPM | ||
My Fair Lady: Kann Eine Frau Nicht Sein Wie Ein Mann | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Friedrich Schoenfelder | G Major | 3 | 9B | 141 BPM | ||
Im sechsten Stock | Alexandra | F♯ Major | 5 | 2B | 186 BPM | ||
Die sieben Todsünden: I. Faulheit (im Begehen des Unrechts) - Allegro vivace | Kurt Weill, Gisela May, Peter Schreier, Hans-Joachim Rotzsch, Hermann Christian Polster, Günther Leib, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel | F Minor | 3 | 4A | 84 BPM | ||
Die Reblaus | Hans Moser | E♭ Major | 2 | 5B | 89 BPM | ||
Alle Menschen san ma zwider | Kurt Sowinetz | D Major | 4 | 10B | 133 BPM |
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