- BPM
- 68
- Key
- F♯ Major
- Camelot
- 2B
The Salley Gardens - Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 7%
- Instrumentalness
- 16%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 10%
- Popularity
- 19%
- Loudness
- -22.24 dB
Summary
"The Salley Gardens" by Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey was released on January 1, 1960. The duration of The Salley Gardens is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Salley Gardens's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 25 in Britten: Partsongs; Hymn To The Virgin; Missa Brevis by Benjamin Britten, The Elizabethan Singers, Louis Halsey, George Malcolm. The Salley Gardens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Salley Gardens BPM
The tempo marking of The Salley Gardens by Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The Salley Gardens Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trois chansons, M.69: 2. Trois beaux oiseaux du Paradis | Maurice Ravel, Nicola Jenkin, Susan Gritton, Nicolas Robertson, Julian Clarkson, The Monteverdi Choir, John Eliot Gardiner | F Minor | 0 | 4A | 83 BPM | |
 | Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | |
 | Quatre petites prières de Saint François d’ Assise: III. Seigneur, je vous en prie | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | |
 | All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | |
 | 7 Sonnets of Michelangelo, Op. 22: Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai | Benjamin Britten, Steuart Bedford, Philip Langridge | D Minor | 0 | 7A | 101 BPM | |
 | Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | |
 | Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | |
 | Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8987789154052734
End: 0.9033331871032715