"All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo"" by Giulio Caccini, Ensemble Pygmalion, Raphael Pichon was released on May 19, 2017. With All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #5. In terms of popularity, All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" by Giulio Caccini, Ensemble Pygmalion, Raphael Pichon having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dardanus: Act II Scene 4: Je viens vous confier le trouble de mon coeur (Antenor, Dardanus) | Jean-Philippe Rameau, Bernard Richter, Gaëlle Arquez, Benoit Arnould, Joao Fernandes, Alain Buet, Sabine Devieilhe, Emmanuelle De Negri, Romain Champion, Studio Chorus, Ensemble Pygmalion, Raphael Pichon | B♭ Minor | 2 | 3A | 130 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 0 BPM | ||
Stabat Mater: VI. Fac me tecum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon | A♭ Major | 4 | 4B | 104 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
If Ye Love Me | Thomas Tallis, Alamire, David Skinner | B Major | 2 | 1B | 80 BPM |
Section: 0.5295307636260986
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