"Ave Maria: Ave Maria" by Giovanni Pierluigi da Palestrina, The Sixteen had its release date on May 31, 2011. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Palestrina, Vol. 1". In this album, this song's track order is #15. Ave Maria: Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria: Ave Maria by Giovanni Pierluigi da Palestrina, The Sixteen having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Flower Songs: The Evening Primrose - studio | The Sixteen | B Major | 0 | 1B | 139 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
Exaltation of the Holy Cross: Irmos of the 5th Ode | Choir of the Monks of Chevetogne | A♭ Minor | 1 | 1A | 138 BPM | ||
Masses, Book 2: Missa Papae Marcelli: Sanctus | Giovanni Pierluigi da Palestrina, Oxford Camerata, Jeremy Summerly | A Major | 0 | 11B | 132 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Missa Assumpta est Maria: Benedictus | Giovanni Pierluigi da Palestrina, The Sixteen | B♭ Major | 1 | 6B | 83 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM |