- BPM
- 139
- Key
- B Major
- Camelot
- 1B
Five Flower Songs: The Evening Primrose - studio - The Sixteen Information
- Acousticness
- 98%
- Danceability
- 15%
- Energy
- 1%
- Instrumentalness
- 5%
- Liveness
- 7%
- Loudness
- 36%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 19%
- Loudness
- -38.519 dB
Summary
"Five Flower Songs: The Evening Primrose - studio" by The Sixteen was released on May 1, 2006. The duration of Five Flower Songs: The Evening Primrose - studio is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Five Flower Songs: The Evening Primrose - studio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 23 in Fen And Meadow: Britten Choral Works III by The Sixteen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Five Flower Songs: The Evening Primrose - studio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Five Flower Songs: The Evening Primrose - studio BPM
The tempo marking of Five Flower Songs: The Evening Primrose - studio by The Sixteen is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Five Flower Songs: The Evening Primrose - studio Key
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chorus: Hear, Jacob's God, Jehova, hear!: Handel: Samson | The Sixteen | A♭ Minor | 1 | 1A | 90 BPM | |
 | Regina Caeli Laetare a 8 | Tomás Luis de Victoria, The Sixteen, Harry Christophers | D Major | 1 | 10B | 74 BPM | |
 | Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich | Heinrich Schütz, Vox Luminis, Lionel Meunier | E Minor | 0 | 9A | 115 BPM | |
 | Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | |
 | Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | |
 | Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | |
 | Mass in E-Flat Major (Cantus missae), Op.109: V. Benedictus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 88 BPM | |
 | Kirchenmusik, Op. 23: I. Aus tiefer Not schrei ich zu Dir | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | B Major | 1 | 1B | 65 BPM | |
 | Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | |
 | Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM |
- ISRC
- GBEJP0603814
- Label
- L-M Records/RCA Records
Section: 0.8285706043243408
End: 0.8321120738983154