"21 Hungarian Dances, WoO 1: No. 15 in B-Flat Major: Allegretto grazioso (Arr. for Piano Duet)" by Johannes Brahms, Katia Labèque, Marielle Labèque was released on August 1, 1981. The duration of 21 Hungarian Dances, WoO 1: No. 15 in B-Flat Major: Allegretto grazioso (Arr. for Piano Duet) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: No. 15 in B-Flat Major: Allegretto grazioso (Arr. for Piano Duet)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Brahms: 21 Hungarian Dances by Johannes Brahms, Katia Labèque, Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 21 Hungarian Dances, WoO 1: No. 15 in B-Flat Major: Allegretto grazioso (Arr. for Piano Duet) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 21 Hungarian Dances, WoO 1: No. 15 in B-Flat Major: Allegretto grazioso (Arr. for Piano Duet) by Johannes Brahms, Katia Labèque, Marielle Labèque is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major | Johannes Brahms, Moura Lympany | A♭ Major | 1 | 4B | 102 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM |
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