"Tannhäuser, zweiter Akt: Gar viel und schön ward hier" by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli was released on January 1, 1961. Tannhäuser, zweiter Akt: Gar viel und schön ward hier is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 32 in the song's album "Richard Wagner: Tannhäuser". In this album, this song's track order is #18. Tannhäuser, zweiter Akt: Gar viel und schön ward hier is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tannhäuser, zweiter Akt: Gar viel und schön ward hier by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch, Wolfgang Windgassen, Victoria de los Ángeles, Josef Greindl, Grace Bumbry, Dietrich Fischer-Dieskau, Gerhard Stolze, Franz Crass, Georg Paskuda, Theo Adam, Else-Margarete Gardelli having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello, Act I: Fuoco di gioia! | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Steven Mercurio | E Minor | 2 | 9A | 79 BPM | ||
Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) | Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
Puccini: Turandot, Act 1: "Gira la cote!" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Lohengrin, Teil 2, zweiter Akt: Gesegnet soll sie schreiten | Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Lorin Maazel | E♭ Major | 4 | 5B | 85 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | ||
Albert Herring, Op. 39: Act III: Threnody - In the midst of life is death | Benjamin Britten, Josephine Barstow, Susan Gritton, Della Jones, Felicity Palmer, Ann Taylor, Robert Lloyd, Peter Savidge, Gerald Finley, Christopher Gillett, Stuart Kale, Royal Northern Sinfonia, Steuart Bedford | F Major | 0 | 7B | 84 BPM | ||
Wagner: Die Meistersinger von Nürnberg, Act 1: "Da zu dir der Heiland kam" (Chorus) | Richard Wagner, Daniel Barenboim, Bayreuth Festival Chorus, Bayreuth Festival Orchestra | A♭ Major | 2 | 4B | 136 BPM |
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