Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse's 'Gounod: Roméo et Juliette: Ouverture (Allegro maestoso)' came out on 1998. The duration of Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Gounod: Roméo et Juliette: Ouverture (Allegro maestoso)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 1 out of 67. Based on our statistics, Gounod: Roméo et Juliette: Ouverture (Allegro maestoso)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod: Roméo et Juliette: Ouverture (Allegro maestoso) by Charles Gounod, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Dies, nox et omnia | Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 0 | 11B | 135 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Satie / Orch. Milhaud: Jack-in-the-Box: No. 2, Entr'acte | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | G Minor | 0 | 6A | 170 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Norwegian Dances, Op. 35 (arr. H. Sitt): III. Allegro moderato alla Marcia | Edvard Grieg, Hans Sitt, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 1 | 10B | 104 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: V. Polish: Allegro con fuoco | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 1 | 6B | 82 BPM | ||
E l'uccellino | Giacomo Puccini, Tine Thing Helseth, Kathryn Stott | A Major | 0 | 11B | 110 BPM | ||
Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM |
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