Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden made "Satie / Orch. Milhaud: Jack-in-the-Box: No. 2, Entr'acte" available on December 25, 2023. With Satie / Orch. Milhaud: Jack-in-the-Box: No. 2, Entr'acte being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 52 in the song's album "Satie: Masterpieces". In this album, this song's track order is #42. Furthermore, we believe that the track originated from United Kingdom. The popularity of Satie / Orch. Milhaud: Jack-in-the-Box: No. 2, Entr'acte is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Satie / Orch. Milhaud: Jack-in-the-Box: No. 2, Entr'acte by Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadère / Act 1: No.9 Allegro non troppo | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 166 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Valses nobles et sentimentales, M. 61: IV. Assez animé | Maurice Ravel, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Satie: 6 Pièces froides, Pt. 1: Airs à faire fuir, II. Modestement | Erik Satie, Anne Queffélec | C Major | 0 | 8B | 127 BPM | ||
The Sleeping Beauty, Op. 66: No. 4h Variation VI La fée des lilas | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | A Major | 4 | 11B | 117 BPM | ||
Spartacus, Act I: Scene and Dance with Crotala (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | G Major | 1 | 9B | 80 BPM | ||
Piano Concerto, FP 146: 2. Andante con moto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Symphony No. 1 in E-Flat Major *: II. Prestissimo | Alexander Borodin, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 2 | 10B | 130 BPM | ||
Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: I. Andante con moto | Max Bruch, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | C Major | 1 | 8B | 174 BPM | ||
Mahler: Symphony No. 1 in D Major: III. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | A Major | 0 | 11B | 174 BPM |
Section: 0.6149380207061768
End: 0.6347146034240723