"La Bayadère / Act 1: No.9 Allegro non troppo" by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1994. The duration of La Bayadère / Act 1: No.9 Allegro non troppo is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. La Bayadère / Act 1: No.9 Allegro non troppo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, English Chamber Orchestra, Richard Bonynge's "Minkus-Lanchbery: La Bayadère" album is number 9 out of 42. The popularity of La Bayadère / Act 1: No.9 Allegro non troppo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadère / Act 1: No.9 Allegro non troppo by Ludwig Minkus, English Chamber Orchestra, Richard Bonynge to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
La Bayadère / Act 1: No.6 Moderato assai | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | C Minor | 1 | 5A | 72 BPM | ||
Don Quixote: Act III: Entree | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 94 BPM | ||
Schumann Romance in A Major, Op.94 No.2: Robert Schumann | Mela Tenenbaum | A Major | 1 | 11B | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM |
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