Richard Wagner, Daniel Barenboim, Bayreuth Festival Chorus, Bayreuth Festival Orchestra's 'Wagner: Die Meistersinger von Nürnberg, Act 1: "Da zu dir der Heiland kam" (Chorus)' came out on 1995. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 136 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Wagner: Die Meistersinger von Nürnberg, Act 1: "Da zu dir der Heiland kam" (Chorus)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wagner: Die Meistersinger von Nürnberg, Act 1: "Da zu dir der Heiland kam" (Chorus) by Richard Wagner, Daniel Barenboim, Bayreuth Festival Chorus, Bayreuth Festival Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
Alexander Nevsky, Op. 78: VI. Field Of The Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 77 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM |
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