Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra made "Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus]" available on 1992. With this song being about 5 minutes long, at 5:01, "Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus]" by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra's "Gounod : Faust [Highlights]" album is number 1 out of 21. In terms of popularity, Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 1 Scene 1: No. 3, Récitatif, "Mais, ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Verdi: Nabucco, Act 3: Coro di schiavi ebrei. "Va pensiero, sull'ali dorate" (Excerpt) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | B Major | 4 | 1B | 63 BPM | ||
Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | F Major | 1 | 7B | 142 BPM | ||
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Duca) | Giuseppe Verdi, Carlo Rizzi, Orchestra of Welsh National Opera, Richard Leech | D Major | 1 | 10B | 131 BPM | ||
Simon Boccanegra, Act III: Chi veggo? | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, José Carreras, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | F Minor | 1 | 4A | 168 BPM | ||
Rigoletto: Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Daniela Lojarro, Gisella Pasino, Giuseppe Sabbatini, Marco Chingari, Berlin Radio Symphony Orchestra, Roberto Paternostro | E Major | 0 | 12B | 171 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM |
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