Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Part I. Overture in E minor: VI. Air, un peu vivement" available on October 21, 2010. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #6. In terms of popularity, Part I. Overture in E minor: VI. Air, un peu vivement is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Part I. Overture in E minor: VI. Air, un peu vivement by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 11, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 125 BPM | ||
Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II alternativement | Johann Sebastian Bach, Freiburger Barockorchester | D Major | 2 | 10B | 97 BPM | ||
Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | F Major | 2 | 7B | 148 BPM | ||
Konzert für Violoncello, Streicher & Basso continuo g-moll: III. Allegro non tanto | Georg Matthias Monn, Balázs Máté/Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 127 BPM | ||
Symphony No. 38 in D Major, K. 504 - "Prague": Symphony No. 38 in D Major, K. 504 - "Prague": II. Andante | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs | D Major | 0 | 10B | 124 BPM | ||
Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: I. Allegro | Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 3 | 8B | 111 BPM | ||
Concerto for 2 Flutes and Lute in E Minor, TWV 53:e2: I. [Largo] | Georg Philipp Telemann, Gunther Holler, Christoph Huntgeburth, Cappella Coloniensis, Hans-Martin Linde | A Major | 3 | 11B | 121 BPM | ||
Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive) | Jean-Philippe Rameau, London Baroque | A Major | 2 | 11B | 70 BPM | ||
Symphony No. 4 in C Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 124 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM |
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