Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit made "Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai" available on April 1, 2016. Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The song is number 6 out of 9 in C.P.E. Bach: Cello Concertos by Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Cello Concerto in B-Flat Major, Wq. 171: III. Allegro assai by Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Trio Sonata in B Minor, H. 567: III. Presto | Carl Philipp Emanuel Bach, Lisa Batiashvili, Emmanuel Pahud, Sebastian Klinger, Peter Kofler | A Major | 2 | 11B | 110 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Part I. Overture in E minor: IV. Loure | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 90 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562: II. Allegro | Carl Philipp Emanuel Bach, Emmanuel Pahud | A Minor | 0 | 8A | 106 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Musique de table, Part II: Concerto for 3 Violins in F Major, TWV 53:F1: III. Vivace | Georg Philipp Telemann, Anna Hoelblingova, Quido Holbling, Alexander Jablokov, Capella Istropolitana, Richard Edlinger | F Major | 2 | 7B | 97 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM |
Section: 0.6555967330932617
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