Johann Gottlieb Janitsch, Berlin Baroque Compagney made "Quartet in G Major: I. Adagio" available on January 1, 1994. With Quartet in G Major: I. Adagio being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 18 in Chamber Music (Baroque) - Frederick Iii / Schaffrath, C. / Bach, C.P.E. / Benda, F. / Janitsch, J.G. (Music From Sanssouci) by Berlin Baroque Compagney. Quartet in G Major: I. Adagio is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Quartet in G Major: I. Adagio by Johann Gottlieb Janitsch, Berlin Baroque Compagney is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
Concerto Op. 3 No. 1 in D Major for 4 violins & violoncello: I. Allegro | Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 3 | 3B | 130 BPM | ||
Cantata "Weinen, Klagen, Sorgen, Zagen", BWV 12: Sinfonia. Adagio assai | Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | F Minor | 1 | 4A | 119 BPM | ||
Concerto in F Major, S. 235: 5. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 120 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Trios pour le coucher du Roi: Chaconne | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
Flute Sonata in A Major, Op. 5, No. 1, HWV 396: IV. Allegro | George Frideric Handel, Berlin Baroque Compagney | A♭ Major | 2 | 4B | 124 BPM | ||
Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla Siciliana | Johann Sebastian Bach, Michael Behringer, Robert Hill, Christoph Anselm Noll, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Minor | 0 | 9A | 128 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: III. Fuga | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 137 BPM |
Section: 0.8735589981079102
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