Jean-Baptiste Lully, London Baroque made "Trios pour le coucher du Roi: Chaconne" available on April 1, 2005. The duration of Trios pour le coucher du Roi: Chaconne is about 3 minutes long, at 3:19. Based on our data, "Trios pour le coucher du Roi: Chaconne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #4. In terms of popularity, Trios pour le coucher du Roi: Chaconne is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Trios pour le coucher du Roi: Chaconne by Jean-Baptiste Lully, London Baroque having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement) | Jean-Philippe Rameau, London Baroque | C Minor | 5 | 5A | 155 BPM | ||
Ten Sonatas In Four Parts: Sonata No. 3 In A Minor, Z.804: I. Grave | Henry Purcell, London Baroque | A♭ Minor | 2 | 1A | 55 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Trio Sonata No. 2 in C Minor, BWV 526: II. Largo (Arr. R. Gwilt) | Johann Sebastian Bach, London Baroque | E Major | 4 | 12B | 117 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Recorder Sonata No. 11 in A Minor: IV. Spiritoso | Domenico Sarro, Dan Laurin, London Baroque | A♭ Minor | 2 | 1A | 81 BPM | ||
Concerto grosso No. 4 in D Major, Op. 6: I. Adagio - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Major | 3 | 3B | 136 BPM | ||
Trio Sonata No. 1 in G Major: II. Andantino | Domenico Gallo, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: II. Vivace | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sonata No. 20 in D Major: I. Adagio | Henry Purcell, London Baroque | D♭ Major | 1 | 3B | 79 BPM |
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