Johann Sebastian Bach, Freiburger Barockorchester made "Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II alternativement" available on November 8, 2011. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 24 in Bach: Orchestral Suites by Johann Sebastian Bach, Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II alternativement is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II alternativement by Johann Sebastian Bach, Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Premier livre de pieces de clavecin - Troisième Suite: Le coucou | Louis-Claude Daquin, George Malcolm | E Minor | 3 | 9A | 122 BPM | ||
Concerto in D Minor: III. Presto | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | F Major | 4 | 7B | 77 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: IX. Hornpipe | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Minor | 1 | 12A | 203 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Concerto in G Minor, RV 577: III. Allegro | Antonio Vivaldi, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Minor | 0 | 2A | 76 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 33, Aria: Warum betrübst Du Dich, BWV 516 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM |
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