"2. Notenbüchlein für Anna Magdalena Bach: I. No. 33, Aria: Warum betrübst Du Dich, BWV 516" by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto was released on April 26, 2024. With 2. Notenbüchlein für Anna Magdalena Bach: I. No. 33, Aria: Warum betrübst Du Dich, BWV 516 being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 14 out of 42. On top of that, Sweden appears to be the country where this track was created. 2. Notenbüchlein für Anna Magdalena Bach: I. No. 33, Aria: Warum betrübst Du Dich, BWV 516 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2. Notenbüchlein für Anna Magdalena Bach: I. No. 33, Aria: Warum betrübst Du Dich, BWV 516 by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No.4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester" | Johann Sebastian Bach, Johannes Chum, Hanno Müller-Brachmann, Thomanerchor Leipzig, Tölzer Knabenchor, Gewandhausorchester Leipzig, Riccardo Chailly | D Minor | 1 | 7A | 108 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
II. Jesu, Der Du Meine Seele BWV 78, (1) Coro: Jesu, Der Du Meine Seele | Holland Boys Choir, Netherlands Bach Collegium, Kristin Linde, Bas Ramselaar, Doretthe Janssens, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Ruth Holton, Johann Sebastian Bach, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Recitative: Wir mussen durch viel Trubsal (Alto) | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | F♯ Major | 1 | 2B | 77 BPM | ||
Matthäus Passion, Parte Seconda: 38c. Recitative - Evangelist, Peter: Da Hub Er An, Sich Zu Verfluchen | Stephen Cleobury, Martyn Hill, Michael George, Choir of King's College, Cambridge, Rogers Covey-Crump, Johann Sebastian Bach, Emma Kirkby, Michael Chance, David Thomas | B Major | 0 | 1B | 88 BPM | ||
Suite in D Minor, HWV 448: III. Courante | George Frideric Handel, Fernando De Luca | D♭ Minor | 4 | 12A | 82 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 32, Dir, dir Jehova, will ich singen, BWV 452 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
XXV. Ich weiß, daß mein Erlöser lebt | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Florian Helgath, Katharina Bauml | E Minor | 1 | 9A | 92 BPM |
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