"Six Songs, Op. 36:4 Säf, säf, susa (Rushes, Whisper!)" by Birgit Nilsson, Janos Solyom was released on July 5, 2011. The duration of Six Songs, Op. 36:4 Säf, säf, susa (Rushes, Whisper!) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Six Songs, Op. 36:4 Säf, säf, susa (Rushes, Whisper!)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Six Songs, Op. 36:4 Säf, säf, susa (Rushes, Whisper!) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Songs, Op. 36:4 Säf, säf, susa (Rushes, Whisper!) by Birgit Nilsson, Janos Solyom is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra, Op.58, TrV 223: "Ob ich nicht höre?" | Richard Strauss, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 83 BPM | ||
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Falstaff / Act 1: L'Onore! Ladri! | Giuseppe Verdi, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 167 BPM | ||
Oberon, J.306 / Act 2: "Ozean, du Ungeheuer!" | Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Rafael Kubelík | E♭ Major | 1 | 5B | 170 BPM | ||
Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Ezio Flagello, Birgit Nilsson, Dietrich Fischer-Dieskau, Martti Talvela, Orchestra Of The National Theatre Prague, Karl Böhm | F Major | 2 | 7B | 87 BPM | ||
Verdi: Aida, Act 4 Scene 2: "O terra, addio, valle di pianti" (Aida, Radames, Amneris, Sacerdotesse, Sacerdoti) | Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Grace Bumbry, Coro Del Teatro Dell'Opera Di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 1 | 3B | 86 BPM | ||
Massenet: Manon, Act 2 Scene 4: "Adieu, notre petite table" (Manon) | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Minor | 0 | 6A | 163 BPM |
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