"Verdi: Aida, Act 4 Scene 2: "O terra, addio, valle di pianti" (Aida, Radames, Amneris, Sacerdotesse, Sacerdoti)" by Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Grace Bumbry, Coro Del Teatro Dell'Opera Di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma was released on 1967. With this song being about 5 minutes long, at 5:19, "Verdi: Aida, Act 4 Scene 2: "O terra, addio, valle di pianti" (Aida, Radames, Amneris, Sacerdotesse, Sacerdoti)" by Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Grace Bumbry, Coro Del Teatro Dell'Opera Di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi - Aida by Giuseppe Verdi, Zubin Mehta, Birgit Nilsson, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Grace Bumbry, Franco Corelli, Mario Sereni. The song's track number on the album is #18 out of 44 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verdi: Aida, Act 4 Scene 2: "O terra, addio, valle di pianti" (Aida, Radames, Amneris, Sacerdotesse, Sacerdoti) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 4 Scene 2: "O terra, addio, valle di pianti" (Aida, Radames, Amneris, Sacerdotesse, Sacerdoti) by Giuseppe Verdi, Birgit Nilsson, Franco Corelli, Grace Bumbry, Coro Del Teatro Dell'Opera Di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 4 Scene 2: "O terra, addio, valle di pianti" (Aida, Radames, Amneris, Sacerdotesse, Sacerdoti) being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Verdi: Aida, Act 2: "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 1 | 6A | 88 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Puccini: Turandot, Act 3: "Nessun dorma" (Calaf) | Giacomo Puccini, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | D Major | 4 | 10B | 134 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 98 BPM | ||
Caro nome | Giuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de Barcelona | D Major | 5 | 10B | 120 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM |
Section: 0.8584716320037842
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