Maria Bayo, J.A. Alvarez-Parejo's 'Poema En Forma De Canciones: III. Cantares' came out on January 1, 1992. The duration of Poema En Forma De Canciones: III. Cantares is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Poema En Forma De Canciones: III. Cantares's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. In terms of popularity, Poema En Forma De Canciones: III. Cantares is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poema En Forma De Canciones: III. Cantares by Maria Bayo, J.A. Alvarez-Parejo is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
El Barberillo de Lavapies, Act III: Aquí están los que buscamos (Guardias, Costureras, Don Luis, Marquesita, Paloma) | Francisco Asenjo Barbieri, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez, Jose Sempere, Maria Bayo, Lola Casariego | C Major | 2 | 8B | 124 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
Seis Canciones: Madre, Unos Ojuelos Vi | Eduardo Toldra, Maria Bayo, Orquesta Sinfonica de Navarra, Ernest Martinez Izquierdo | E Minor | 1 | 9A | 83 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
7 Canciones Populares Españolas: Canción | Teresa Berganza, Juan Antonio Alvares Parejo | G Major | 0 | 9B | 94 BPM | ||
Aida / Act 1: "Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 89 BPM | ||
Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 89 BPM |
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