Teresa Berganza, Juan Antonio Alvares Parejo made "7 Canciones Populares Españolas: Canción" available on January 1, 1987. With 7 Canciones Populares Españolas: Canción being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Teresa Berganza's "Manuel De Falla: El Corregidor Y La Molinera - 7 Canciones Populares Españolas" album is number 8 out of 9. In terms of popularity, 7 Canciones Populares Españolas: Canción is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 7 Canciones Populares Españolas: Canción by Teresa Berganza, Juan Antonio Alvares Parejo to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myrthen, Op. 25: No. 1. Widmung | Robert Schumann, Diana Damrau, Helmut Deutsch | F Major | 0 | 7B | 86 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
El sombrero de tres picos / Pt. 1: Introducción | Manuel de Falla, Teresa Berganza, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 4 | 3B | 152 BPM | ||
El Último Romántico (Pasacalle de las Mantillas) | Teresa Berganza | D Major | 2 | 10B | 121 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Los Claveles (Que Te Importa Que No Venga) | Teresa Berganza | E Major | 1 | 12B | 168 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
Mozart: Le Nozze di Figaro: Non piu andrai, farfallone amoroso - Act One | Wolfgang Amadeus Mozart, Sesto Bruscantini, Teresa Berganza, Mario Petri, Sena Jurinac, Teresa Stratas, Nucci Condo, Agostino Lazzari, Giorgio Tadeo, Lilia Reyes, Alfredo Mariotti, Angelo Degli Innocenti, Licia Scarpelli, Rosetta Arena, Rai Orchestra & Chorus | C Major | 3 | 8B | 72 BPM | ||
La Rosa del Azafrán: "Sagrario, Juan Pedro y coro general" | Coros Cantores De Madrid, Teresa Berganza, Manuel Ausensi | A Major | 4 | 11B | 85 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | E Major | 1 | 12B | 94 BPM |
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