"6 Ariette: No. 5, Per pietà, bell'idol mio" by Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera was released on January 29, 2016. The duration of 6 Ariette: No. 5, Per pietà, bell'idol mio is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. 6 Ariette: No. 5, Per pietà, bell'idol mio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Serenade". In this album, this song's track order is #10. Based on our statistics, 6 Ariette: No. 5, Per pietà, bell'idol mio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Ariette: No. 5, Per pietà, bell'idol mio by Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Katya Kabanova, JW I/8, Act I Scene 2: "Zdráva..." | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Magdalena Kozená | B Major | 1 | 1B | 86 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
La Sonnambula, Act II, Scene 2: Lasciami: Avver compreso assai dovresti (Lisa/Alessio/Coro) | Vincenzo Bellini, Evelino Pidò/Jaël Azzaretti/Paul Gay/Orchestre de l'Opéra National de Lyon/Choeurs de l'Opéra National de Lyon, Evelino Pidò, Orchestre De L'Opéra National De Lyon | B♭ Major | 2 | 6B | 67 BPM | ||
Leoncavallo: La bohème: "Musette svaria sulla bocca viva" | Ruggero Leoncavallo, Ermonela Jaho, Andrea Battistoni, Orquestra de la Comunitat Valenciana | G Major | 0 | 9B | 82 BPM | ||
The Magic Flute, Act I: Don't be afraid, now hear my song | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks | F Major | 2 | 7B | 130 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Mozart: Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E Major | 0 | 12B | 171 BPM | ||
Bellini: La sonnambula, Act 1: "Sovra il sen la man mi posa" (Alessio, Amina, Lisa, Teresa, Chorus, Notaro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Eugenia Ratti, Fiorenza Cossotto, Franco Ricciardi, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | C Major | 0 | 8B | 74 BPM | ||
Manon, Act II: En fermant les yeux - Remastered 2024 | Jules Massenet, Raphael Arié, London Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 80 BPM | ||
Mozart: Das Kinderspiel, K. 598 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM |
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