Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa)
Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin
Donizetti: Lucia di Lammermoor (1953 - Serafin) - Callas Remastered
3:59 1953
BPM
169
Key
D Major
Camelot
10B

Embed

Share Link

Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) - Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin Information

Acousticness
98%
Danceability
25%
Energy
12%
Instrumentalness
0%
Liveness
13%
Loudness
76%
Speechiness
4%
Valence
13%
Popularity
Loudness
-14.241 dB

Summary

"Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa)" by Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin was released on 1953. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 35 in Donizetti: Lucia di Lammermoor (1953 - Serafin) - Callas Remastered by Gaetano Donizetti, Maria Callas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) BPM

The tempo marking of Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) by Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bellini: I Puritani, Act 2: Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira)Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della RaiE♭ Major25B90 BPM
Andrea Chénier (2002 - Remaster), Act I: Via, v'affrettate (Contessa/Gérard/Maddalena/Bersi) by Umberto Giordano, Maria Amadini, Aldo Protti, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanAndrea Chénier (2002 - Remaster), Act I: Via, v'affrettate (Contessa/Gérard/Maddalena/Bersi)Umberto Giordano, Maria Amadini, Aldo Protti, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di MilanF Major47B73 BPM
L'elisir d'amore / Act II: L'elisir d'amore / Act II: "Dell'elisir mirabile" - "E bellissima"Gaetano Donizetti, Luciano Pavarotti, Dawn Upshaw, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James LevineF Major27B147 BPM
El Amor Brujo: Canción del fuego fátuo by Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin MaazelEl Amor Brujo: Canción del fuego fátuoManuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin MaazelE Major112B0 BPM
Donizetti: Lucia di Lammermoor, Act 3: Donizetti: Lucia di Lammermoor, Act 3: "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Chorus)Gaetano Donizetti, Giuseppe Di Stefano, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio SerafinD Major110B169 BPM
Cherubini: Medea, Act 1: Cherubini: Medea, Act 1: "Nemici senza cor" (Medea, Giasone)Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinC Major28B81 BPM
La Vestale: Ô des infortunés by Gaspare Spontini, Marina Rebeka, Jader Bignamini, Orchestra del Teatro Massimo di PalermoLa Vestale: Ô des infortunésGaspare Spontini, Marina Rebeka, Jader Bignamini, Orchestra del Teatro Massimo di PalermoB♭ Major26B87 BPM
Norma / Act 1: Casta Diva by Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 1: Casta DivaVincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeF Major17B67 BPM
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer)Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia OrchestraD♭ Major13B71 BPM
Cavalleria rusticana: Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor"Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea GavazzeniG Major29B68 BPM
ISRC
GBAYC1400112
Label
L-M Records/RCA Records

Section: 0.6298890113830566

End: 0.6336724758148193